Silvia Frigato - Soprano
Winner of
the “Francesco Provenzale” International Baroque singing competition in Naples
(2007), she furthers her studies under the guidance of Sara Mingardo. She
regularly performs at numerous prestigious concert venues and festivals,
including: Monteverdi Festival in Cremona; Musica e Poesia a San Maurizio in
Milan; Centro di Musica Antica Pietà de’ Turchini in Naples; Festival della
Valle d’Itria in Martina Franca; Misteria Paschalia in Krakow; KunstFestSpiele
Herrenhausen in Hannover; Festival de Radio France in Montpellier, to name only
a few. Ms. Frigato regularly
collaborates with such artists as Rinaldo Alessandrini, Gianluca Capuano,
Claudio Cavina, Ottavio Dantone, Antonio Florio, Lorenzo Ghielmi, Philippe
Herreweghe, Sigiswald Kuijken and such ensembles as Collegium Vocale Gent,
Accademia Bizantina, La Divina Armonia, La Venexiana, I Turchini, Gambe di Legno
Consort, Sonatori de la Gioiosa Marca. Silvia
Frigato has recorded for Naïve, Tactus, Brilliant
and Glossa and her recordings have been broadcasted by RAI Radio 3, Radio
France, ORF and many others. She recently
performed: Euridice in Caccini’s L’Euridice at the Innsbruck
Festival under Rinaldo Alessandrini; Mozart’s
La Betulia Liberata at the Wratislavia Cantans Festival in Wroclaw under Corrado Rovaris and in Caldara’s Morte
e Sepoltura di Cristo in Stavanger under Fabio Biondi.
Future
plans: Orfeo
ed Euridice by Gluck at the Maggio Musicale Fiorentino with Fderico Maria
Sardelli and Denis Krief; L’Incoronazione di Poppea at La Scala under
Rinaldo Alessandrini, in the new production by Robert Wilson; Logroscino’s
Stabat Mater under Stefano Demicheli in Naples; Il combattimento di
Tancredi e Clorinda at the Monteverdi Festival in Cremona with Gianluca
Capuano; Carissimi’s Jephte at the Bach Festival in Lausanne with
La Resurrezione in Trento and Brixen; Pergolesi’s Stabat Mater in
Basel.
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Krystian Adam - Tenor
Much in
demand for the 17th and 18th serio and buffo repertoire,
Polish tenor Krystian Adam regularly works with many of the most important
conductors of the ‘historically informed practice’. Mr. Adam had recently starred in La Pietra del Paragone
(Cavalier Giocondo) at the Théâtre du
Châtelet in Paris.
Future
plans: Mozart’s Idomeneo (under
Marc Minkowski) and Le nozze di Figaro (under Antonio Pappano) at the
Covent Garden; L’Occasione fa il Ladro at the Théâtre du Châtelet in
Paris; Myslivecek’s L’Olimpiade with Collegium 1704 and Vaclav Luks and
Gluck’s Demofoonte (title role) with Complesso Barocco and Alan Curtis,
both at the Theater an der Wien; Haydn’s Philemon und Baucis in
Montecarlo with Europa Galante and Fabio Biondi; Handel’s Giove in Argo with
L’arte del Mondo and Werner Ehrhardt for the Handel Festival in Halle; Il
Trionfo del Tempo e del Disinganno with La Risonanza and Bonizzoni; Die
Zauberflöte at the Opéra Royal de Wallonie in Liège; Bach’s St. Matthew
Passion with Akademie für Alte Musik in Berlin and Munich and with Collegium
1704 in Dresden and Prague; Bach’s B-minor Mass at the Maggio Musicale in
Florence under Stefano Montanari; Zelenka’s Te Deum with Dresdner
Kammerorchester in tour in Ostrava, Wrolaw and Annaberg; Il trionfo del Tempo e del Disinganno in
France with La Risonanza and Fabio Bonizzoni.
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